Filming the Unfilmable 2
Name of lecturer(s)
Neil Andrew TAYLOR
Learning outcomes of the course unit
By the end of the course students will:
-learn the techniques, skills and academic considerations present within film literature in order to define and differentiate the various elements that combine to deliver a coherent project
-gain an understanding of the personal, critical, social and commercial factors within the creative process that leads to finished artistic projects within the audio-visual medium
-gain an understanding of the creative stamina, drive and personal and group skills required in critical, required within the creative process that leads to finished artistic projects
Mode of study
Prerequisites and co-requisites
Students must have passed Filming the Unfilmable 1.
This course is designed to give students further development of an in-depth experience of the creative process. This course builds on the base established in Filming the Unfilmable 1 and requires a more in-depth and critically aware focus. Students expand the techniques, skills and academic considerations present within film literature in order to move into a student/teacher communication within a coaching/mentorship relationship based on individual student needs, topics, creative practice and aesthetic interests.The course uses film text analysis, academic texts drawn from a wide range of sources not only limited to film. Short field trips to art galleries and other non-film creative elements are offered and students are encouraged to view their creative projects through artistic lenses not solely derived or related to film.
Recommended or required reading
THOULESS, Robert H. Straight and Crooked Thinking. London: Pan Books, 1974. 220 s. ISBN 0-330-24127-3.
EAGLETON, Terry. Literary Theory. Oxford: Basil Blackwell, 1989. VIII, 244 s. ISBN 0-631-13259-7.
BROOK, Peter. The Empty Space. London: Pelican Books, 1988. 157 s. ISBN 0-14-02.1415-1.
PETER, John Desmond. Vladimir’s Carrot. London: Methuen. x, 372 s. 1988. ISBN 0-413-18530-3.
ESSLIN, Martin. The Field of Drama. London, New York: Methuen, 1988. 190 s. ISBN 0-413-19260-1.
Assessment methods and criteria
Students will be evaluated on their contribution and efforts to the class, practical work and the final paper.
The course grade will be calculated as follows:
Attendance - 20%
Participation in discussion - 30%
In-Class assignement - 50%.
Schedule for winter semester 2021/2022:
The schedule has not yet been prepared
Schedule for summer semester 2021/2022:
Room No. 3
|Date||Day||Time||Tutor||Location||Notes||No. of paralel|
|Tue||19:50–21:25||Neil Andrew TAYLOR||Room No. 3
The subject is a part of the following study plans
- Academy Preparation Program - Cinematography (optional subject)
- Academy Preparation Program - Animated Film (optional subject)
- Academy Preparation Program - Directing (optional subject)
- Academy Preparation Program - Documentary (optional subject)
- Academy Preparation Program - Editing (optional subject)
- Academy Preparation Program - Photography (optional subject)
- Academy Preparation Program - Screenwriting (optional subject)