Touch the Sound 2

Předmět není vypsán Nerozvrhuje se

Kód Zakončení Kredity Rozsah Jazyk výuky Semestr
311TTS2 Z 2 21S anglicky letní

Garant předmětu

Jméno vyučujícího (jména vyučujících)

Výsledky učení dané vzdělávací složky

Students broaden their skills - both analytical and practical - in the scope of sound in storytelling. The students will get practical experience of the power and possibilities based on deep insight into theoretical background of the sound design.

Forma studia

lectures with theoretical and practical part

Předpoklady a další požadavky

-

Obsah kurzu

1.Use of effect units and understanding them

In this lecture we will walk through the all types of effect and will explain how they operate.

2.Synthesis

There are several types of synthesis. There are plenty of instruments on the market, some are based on classical synthesis (of specific type), some are hybrids between synthesis and sampler, and they all are powerfull tools in the proces of sounddesign.

3.Workflow in industry (sound)

This lecture will cope with the workflow in sound pre-production, shooting and post production during the creation of a movie. Every stage has its specific problems and needs.

4.Mixing (theory and practice)

Mixing of the movie is the last stage of postproduction, and so it represents usually the last possibility to improve (or even save) your work. We will try to walk you through some examples of how mixing is affecting the final shape of a movie.

Doporučená nebo povinná literatura

Recommended reading:

David Schonnaschein - Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema , Michael Wiese Productions, 2001.

Michel Chion, Walter Murch - Audio-Vision: Sound on Screen, Columbia University Press , 1994

Monaco James – How to read a film: The Art, Technology, Language, history, and Theory of Film and Media, Oxford University Press, 1977.

Recommended films:

A Man Escaped (Robert Bresson, 1956)

Rumble Fish (Francis Ford Coppola, 1983)

Stalker (Andrei Tarkovsky, 1979)

The Conversation (Francis Ford Coppola, 1974)

Blue Velvet (David Lynch, 1986)

Berberian Sound Studio (Peter Strickland, 2012)

Repulsion (Roman Polanski, 1965)

Caché (Michael Haneke, 2005)

No Country for Old Men (Coen Brothers, 2007)

2001: A Space Odyssey (Stanley Kubrick, 1968)

Schindler's List, (Steven Spielberg, 1993)

Hodnoticí metody a kritéria

Active participation in the practical part

Attendance

Active participation in guided and non-guided discussions

Poznámka

Lecturers:

doc. Mgr. Jakub Kudláč

BcA. Mgr. Martin Stýblo

Další informace

Pro tento předmět se rozvrh nepřipravuje

Předmět je součástí následujících studijních plánů